For me, A Danger of Proximal Alphabets is that book. Kathleen Alcott's debut reads more like linked vignettes than a straight narrative, moving through time in fits and starts and then in smooth progression in a way that mimics our own memory and recall of the past. The story takes its time in unfolding: Ida grew up across the street from Jackson and James. Ida's mother is dead, Jackson and James' father has left. Throughout childhood, the three are inseparable; where there is an I, there is also a J.
But, as Ida learns, that does not always mean that where there is an Ida, there will also be a Jackson--or a James:
"But even one letter changes a meaning entirely; no matter their proximity, different points of an alphabet refuse to be represented as the same: there's no guarantee that someone standing at precisely the same longitude and latitude as you will remember the view the same way, no promise that one person's memory of a moment or a month will parallel yours, retain the same value, shape the years of living that follow."
As the three creep slowly into adulthood, their relationships morph and change but never completely disappear; James gets in trouble, Jackson and Ida move in together, Jackson's night talks become night walks become night problems. Though they are not family in the true sense of the word, they behave as one. That is, until they don't:
"I had let myself forget: that honest-to-goodness, forever families are made of blood. That a history doesn't guarantee a future."How simple, and yet how heartbreaking--the thought that just because it has always been does not mean it will continue to be.
In this way, Alcott inches her way into questions of love and friendship and family and death. Can we redefine the traditional nuclear family, setting aside "mother," "father," "siblings," in favor of "neighbor," "friend," and "confidant"? Can love last forever, even if a relationship must end?
Alcott's simple prose is as capable of captivating the voice of children as it is the innermost thoughts of adults; her ability to play with language and imagery sheds light on the average and the everyday in ways we may not have done on our own:
"Autumn was decidedly adult: the nuanced colors--muddled oranges and browns, the uncertain gray of the clouds--were much harder to love, to understand, than the sticky pinks of popsicles, the confident thick greens of happy grass and plants, the haughty blue of the sky above it all."Ultimately, this ability to make us open our eyes to what we already know and see is what makes The Dangers of Proximal Alphabets as successful as it is, just as any novel is heralded as among the best of the best when it makes us reconsider the familiar. I'm looking forward to seeing more from Alcott in the future--she's definitely a talent to watch out for.
Thoughts from other bookworms:
Lonely Owl Books
You might also like:
Day for Night by Rick Reiken
Letter to My Daughter by George Bishop
The Lover's Dictionary by David Levithan
Note: Thanks to Other Press for providing a copy of this title for review. Opinions, as always, are my own.
The Dangers of Proximal Alphabets | Kathleen Alcott | Other Press | Trade Paper | 224 pages | Buy from an independent bookstore near you